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Summary:

Artist : Lady Gaga
Album : The Fame Monster
Release Day : Nov 23, 2009
Genre : Pop/Rock
Styles : Pop, Dance-Pop, Urban
Size: 63 MB

Track List:

1. Bad Romance 4:54
2. Alejandro 4:34
3. Monster 4:09
4. Speechless 4:30
5. Dance In The Dark 4:49
6. Telephone (featuring Beyonce) 3:40
7. So Happy I Could Die 3:55
8. Teeth 3:40

Link Download MP3 High Quality Album:

http://hotfile.com/dl/24479311/bfd5182/012LG-TFM.zip.html

Review:

Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it’s tacked onto a now standardized version of her debut. It’s a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of “Bad Romance” and the updated ABBA revision “Alejandro” as it is on the rock & roll ballad “Speechless” -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march “Teeth.” Even the stuttering splices on “Telephone,” a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that’s become Gaga’s calling card. And even as she’s becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she is still slightly skewed, willing to go so far over the top that she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she’s not just a fleeting pop phenomenon.

Summary:

Artist : Lady Gaga
Album : The Fame
Release Day : Oct 28, 2008
Genre : Pop/Rock
Styles : Pop, Dance-Pop, Urban
Size: 54 MB

Track List:

01. Just Dance Feat. Colby O'Donis
02. LoveGame
03. Paparazzi
04. Beautiful, Dirty, Rich
05. Eh, Eh (Nothing Else I Can Say)
06. Poker Face
07. The Fame
08. Money Honey
09. Again Again
10. Boys Boys Boys
11. Brown Eyes
12. Summerboy
13. I Like It Rough *Bonus*

Link Download Mp3 Album

http://hotfile.com/dl/24321379/5a39533/032TF-LGG.zip.html

Review:

The times were crying out for a pop star like Lady GaGa — a self-styled, self-made shooting star, one who mocked the tabloid digital age while still wanting to wallow in it — and one who's smart enough to pull it all off, too. That self-awareness and satire were absent in the pop of the new millennium, where even the best of the lot operated only on one level, which may be why Lady GaGa turned into such a sensation in 2009: everybody was thirsty for music like this, music for and about their lives, both real and virtual. To a certain extent, the reaction to The Fame may have been a little too enthusiastic, with GaGa turning inescapable sometime in the summer of 2009, when she appeared on countless magazine covers while both Weezer and DAUGHTRY covered “Pokerface,” the rush to attention suggesting that she was the second coming of Madonna, a comparison GaGa cheerfully courts and one that’s accurate if perhaps overextended. Like the marvelous Madge, Lady GaGa ushers the underground into the mainstream — chiefly, a dose of diluted Peaches delivered via a burbling cauldron of electro-disco — by taming it just enough so it’s given the form of pop yet remains titillating. Sure, GaGa sings of disco sticks, bluffin’ with her muffin, and rough sex, but her provocation doesn’t derive solely from her words: this is music that sounds thickly sexy with its stainless steel synths and dark disco rhythms. Where GaGa excels, and why she crossed over, is how she doesn’t leave all this as a collection of hooks and rhythms, she shapes them into full-blown pop songs, taking the time to let the album breathe with chillout ballads and percolating new wave, like the title track that echoes Gwen Stefani in dance diva mode. But where Gwen simply celebrates celeb consumer culture, GaGa bites, her litany of runway models, pornographic girls, and body plastic delivered with an undercurrent of disdain, even as she loves all the glitz. This dichotomy propels much of The Fame, particularly on the clever “Paparazzi,” where she casts herself as the photographic parasite chasing after her crush, but none of this meta text would work if the songs didn’t click, functioning simultaneously as glorious pop trash and a wicked parody of it.